Showing posts with label Vinyl Candy. Show all posts
Showing posts with label Vinyl Candy. Show all posts

Friday, March 08, 2013

The Black Whisky Union: The Lysergic EP


“Our focus is memorable melodies, heartfelt story telling, acoustic guitar, piano, bass groove driven soul. Our music is built on the rawness of music. No frills, no samples, no auto-tune.” – The Black Whisky Union

Long time Morgue readers may recall my love for an L.A.-based pop rock band called Vinyl Candy. After three albums of SoCal goodness, the band is currently “on hiatus.” Even though I’m in sporadic contact with some of the band members (i.e. we’re Facebook friends), I don’t actually know the specifics behind the break, or if it’s permanent, or what. I do know that in pop and roll terms, three albums is not a number to sneeze at, and they were three solid albums, and those three CDs will sit nicely next to my Jellyfish and Big Star discs[1].

The good news is that two members of Vinyl Candy – all around musical maestro Jim Leber, and percussionist Michael Wessner - have formed a new band with a lady named Brit Sheridan, who’s handling the majority of the vox on this project. She’s got the looks and the pipes, this girl, and is unquestionably an ideal front person for The Black Whisky Union. Brit’s also an actress, and if you’re a Supernatural fan, you may have caught her on last year’s episode “Bitten.”

The Black Whisky Union kicked off their sound around Christmas with a holiday offering appropriately entitled “Christmas Time” - a bold move. Most bands don’t do the holiday stuff until like the fifth album. They followed that up with a exceptional cover of the Eagles radio staple “I Can’t Tell You Why,” and now they’ve unveiled a three song EP entitled Lysergic, which frankly gets catchier and more perfect with each successive listen; major ear wormage, in the best possible way. I’m particularly fond of “Letter,” which reminds me of the great Vinyl Candy ballads. You can listen to all of this stuff on Soundcloud at the band’s website. Like what you hear? It’s all available on iTunes. 

The band intends to release two more EPs later this year (perhaps to be titled Acid and Diethylamide?). Be sure to “like” them on Facebook so you can keep up with their tuneage and release schedule.


 [1]Matt Corey and Justin Brinsfield – your contributions will be missed like you cannot imagine.

Thursday, October 28, 2010

Vinyl Candy: The Dirty Third

Having neglected Vinyl Candy on their second release, Land, it seemed a good time to write a few words about their latest effort, the exceptional The Dirty Third. Some new bands release one great album and then never capture that magic again. Others take a little time through experimentation via several releases to find their voice, and to create that first great album, and I think that’s where Vinyl Candy’s at right now.

Now this isn’t to slag on their previous efforts. Their debut, Pacific Ocean Park, is a recording that still holds an immense amount of pleasure for me. Its aim was to capture that ‘70s So Cal sound, which it did effortlessly. There was a period of nearly five years between their freshman effort and their second release, Land. Land was an ambitious piece of work – a little bloated and very much all over the place. It took a long time and many listens to learn to truly appreciate much of it, which I do now. The thing with both of those albums, though, was that when you listened to them, it was all too easy to say, “That song sounds like [fill in the blank]!” Vinyl Candy paid homage to their heroes through the first two records and there’s nothing at all wrong with that, and it can be a hugely rewarding experience for the listener.

But what’s even more rewarding is when a band like Vinyl Candy finally, really and truly, finds the sound that defines their band. I’ve listened to The Dirty Third at least once every couple days for the past few weeks, and never once do I hear the tunes and hear anything other than Vinyl Candy themselves. They've moved past their influences, and will hopefully now start influencing others. It’s a nearly perfect blend of rock, pop & rock and pop ballads, and strong both musically and lyrically. These songs have energy and meaning and truth behind them. I’ve read a couple reviews that have said that with this album the band has moved into darker territory, which is odd, because Land, as a concept at least, was very dark. The Dirty Third doesn’t strike me as dark as much as it strikes me as real (not to mention really good).

This is a band that’s had something to say for a while now, and they’ve finally figured out exactly how to say it. The Dirty Third is absolutely deserving of being on a major label, but given the state of the music industry these days, that really isn’t something I’d wish on a group of talented men like Vinyl Candy, lest they’re forced to lose what makes them so wonderful in the first place.

Click here and here to sample The Dirty Third, as well as see video footage of the band.

Click here to download or buy The Dirty Third (or any of their albums) directly from the band’s website, or you can pick it up from Not Lame if you’re so inclined.

While you're at it, be sure to join their Facebook page!


Sunday, October 01, 2006

Want Some Candy?

The Rued Morgue’s quest for perfect pop record recommendations continues with the band Vinyl Candy and their debut album Pacific Ocean Park – a recording that’s over two years old, but brand new to me.

Sometimes you find a CD that’s uncomplicated, simple pop goodness - - music that just makes you feel good to be alive. Pacific Ocean Park ("P.O.P.") is one of those CDs. The album has no agenda outside of rockin' and groovin' your little world and aiding you in forgetting the ugliness outside your front door (of course I speak of that overgrown lawn so desperately in need of a mow).

I asked some of my more music-savvy friends and nobody seems to have heard of them, which is why it behooved me to sit down and craft a quick entry. For the life of me, I cannot figure out why these tunes didn’t get radio play right and left of the dial. If I didn’t know better, I’d swear this music was recorded smack in the summer of 1976. They’ve got that distinct Southern Cali vibe that gets inside your head and refuses to go away unless you hit PLAY one more time – then rinse and repeat.

Enough gushing. If I’m guilty of anything here at the Morgue, it’s overselling.

Check out these vids for two of their hit singles – Tranz Am and Heather.

Update! Vinyl Candy's newest album, Land, was released in July of 2009.