Watchmen Set Visit

Will the Doomsday Clock strike twelve when Watchmen finally hits theatres on March 6th?

The amount of hype surrounding Watchmen seems almost unprecedented, particularly for an R-rated movie based on source material by Alan Moore and Dave Gibbons which, despite years of critical lauds, can still best be described as cultish. As early as last July, the first full-length trailer appeared (attached to The Dark Knight), followed shortly thereafter by a front cover on Entertainment Weekly, which used the film as the centerpiece for a Comic Con story. Warner Brothers has maintained the momentum month after month ever since. But then, of course, there was the lawsuit brought on by Fox, which was followed by a period of uncertainty. Fans held their breath. Would we even get to see Watchmen on the long-promised release date? The suit was eventually settled out of court for an undisclosed sum, as well as a share of theatrical profits, and everyone could breathe easy again. With March right around the corner, the WB publicity machine again kicked into overdrive, and in the last few weeks, it's been almost impossible to be a movie fan of any kind and not be aware that this film is coming soon to a theatre near you.

Read the rest of this piece, which details my visit to the Watchmen set, by clicking here and visiting Bullz-Eye.

Being There

These days, it seems almost impossible to bring up Being There without some unimaginative goon coming along and comparing it to Forrest Gump. That’s unfortunate, because if, like me, you’ve got little patience for that particular Zemeckis opus, you may be inclined to skip Being There altogether. This would be a grave mistake. The big difference between the two films is that Gump wants to be an important film, but in doing so, it achieves the opposite. Being There, on the other hand, has no such aspirations and manages to become an important film because it isn’t trying so hard. And if you’ve never seen the film and think you know everything there is to know about Peter Sellers, then Being There will show you the actor as you’ve never seen him before.

Read the rest of this DVD review by clicking here and visiting Bullz-Eye.

The Last Detective: Complete Collection

In a TV age when we are continually exposed to the grittiness of shows like The Shield and Criminal Minds, a series like The Last Detective is quite an antidote to the seemingly never-ending bleakness of cop procedurals. Based on a series of books by writer Leslie Thomas, the show follows the cases of Detective Constable Dangerous Davies, played by Peter Davison of Doctor Who and All Creatures Great and Small fame. “Dangerous” is an ironic nickname for the guy, as he’s anything but. It almost seems to be a joke on the viewer as well, since over the course of four seasons and 17 installments, we never actually learn his real name. (Is it somehow possible that his first name is Dangerous?) Dangerous is the kind of underdog that you can’t help but root for. He is the butt of many a joke from his colleagues, his superior hates him, and he routinely gets shit on by life. And yet he’s an immensely likable guy – a regular Joe completely unlike most of the cops seen on TV. I dare say that maybe he’s even Britain’s version of Columbo.

Read this entire DVD review by clicking here and visiting Bullz-Eye.

Children of the Stones

The creepy English village is one of those TV and movie archetypes that’s been done to death, yet nevertheless remains an effective storytelling tool. Add into the mix another tried and true gimmick – the prehistoric stone circle – and you’ve got Children of the Stones, an unsettling little thriller made in 1977 for Britain’s ITV. The series, which spans seven 30-minute installments, was aimed at children, but as is often the case with fare from this time period, it will most definitely appeal to adults as well. You might even have vague memories of it if you were lucky enough to have Nickelodeon in the early 80s, as here in the States it was shown on the anthology series The Third Eye.

Astrophysicist Adam Brake (Gareth Thomas of Blake’s 7) and his son Matthew (Peter Demin) travel to the tiny hamlet of Milbury for the sole purpose of researching the stone circle that surrounds the town. They’re welcomed with open arms by the unusually polite townsfolk and quickly settle into a new (albeit temporary) life. Well, it’s supposed to be temporary. The father and son team will eventually discover that leaving Milbury is considerably more difficult than entering.

Read the rest of this DVD review by clicking here and visiting Bullz-Eye.

The Marshalls (Season Three)

Brand new at Funny or Die is a wicked parody that blends two of my favorite shows into one 8 minute bit of madness. What would happen if Doctor Who materialized in the Land of the Lost - and specifically towards the end of the show's crappy third season? The hard-drinking Uncle Jack Daniels is unquestionably a highlight. From Philly-based filmmakers Beth Kellner and Scott Johnston, click here to view The Marshalls (Season Three).

Battlestar Galactica: Season 4.0

At this point in its timeline, Battlestar Galactica simply works better on DVD. This batch of episodes, which makes up the first half of the show’s final season, was incredibly frustrating to watch upon broadcast. Of course, the commercial breaks are a given annoyance, but the cinematic flow of the series wasn’t helped by the seven-day breaks between installments. Furthermore, the episodes contained in this set are almost entirely character-driven. At the close of the third season, viewers were left with two big developments that would drive the fourth and final season: the revelation of the identity of the twelfth and final Cylon, and whether or not Earth would finally be reached. One of these is seemingly addressed in the final moments of 4.10, “Revelations,” but it’s a torturous road getting there.

Read the rest of this DVD review by clicking here and visiting Bullz-Eye.

Doctor Who: "Four to Doomsday" & "The War Machines"

It’s mere coincidence, and yet seemingly noteworthy, that “Four to Doomsday” should be released on DVD just days after the youngest actor ever to play the Doctor (Matt Smith, who’ll take over from David Tennant in 2010) has been unveiled to the public, since before Smith, Peter Davison held the “youngest actor ever to play the Doctor” spot. While “Doomsday” wasn’t actually Davison’s debut, it was the first story he filmed, and therefore it could offer us some insight into what we might expect from Smith in his first outing. But what’s perhaps an even more interesting parallel is that following David Tennant today is probably not that far removed from following Tom Baker back in the early ‘80s. How do you follow an actor who has so thoroughly embedded himself into the public consciousness that he’s thought of by many as irreplaceable? By pulling a Roger Moore, that’s how; by doing your own thing, and putting your special stamp on it without thinking too hard about the slippery slope you’ve signed on to navigate.

Read the rest of the DVD review of "Four to Doomsday" by clicking here and visiting Bullz-Eye.

Throughout most of the William Hartnell era of Doctor Who, stories basically fell into one of two categories: tales set far in the future or adventures set way in the past. But then “The War Machines” came along and changed everything by presenting a story set in London of the present day. Given that so much of the series today is reliant on such stories, it’s almost hard to believe there was a time when it wasn’t the norm, and yet for the first three seasons, the here and now wasn’t even a factor in the program.

Read the rest of the DVD review of "The War Machines" by clicking here and visiting Bullz-Eye.

Nip/Tuck: Season Five, Part One

Nip/Tuck is the kind of show that people often refer to as a guilty pleasure. Normally, that’s a phrase that seems sort of hollow to me. After all, if you enjoy a TV show or movie, why feel guilty about it? But in the case of Nip/Tuck, and coming from someone who’s been with it every sordid step of the way, I can understand where the guilt might start creeping in. It is, after all, tasteless, vulgar, trashy, over-the-top fare that most people probably don’t care to admit they enjoy. I can count the number of people I know that watch it on one hand. And, yet, it’s FX’s biggest ratings grabber, so either I move in some strange circles, or some people are lying about what they’re doing on Tuesday nights.

Read the entire DVD review by clicking here and visiting Bullz-Eye.

Bullz-Eye's 2008 Year End TV Review

I'm a little late in linking to this here at the Morgue, as it's been up at Bullz-Eye for about a week now - but in case you've not yet sifted through our collective wares, the goods remain relevant.

From the intro:

Join us, if you will, as five of Bullz-Eye’s finest take a look back at what they loved and loathed throughout 2008…and if you spot anything that sounds interesting to you but you haven’t yet checked out, we recommend doing so now.

Because if you don’t watch it today, it might not be there tomorrow.

Read the entire round up by clicking here and then clicking on the individual boxes from each writer. Be sure to check out Will Harris' list, as his is the most exhaustive, and certainly the most fun.

Swingtown: The First Season

Back when Swingtown debuted this summer on CBS, there was a mild hoopla surrounding the series. Mike Galanos of Headline News devoted a segment to its supposed rampant amorality on the day of its premiere, boldly proclaiming that network TV had, once again, stepped over the line, that our children should be protected from such filth, and so forth and so on. It goes without saying the Parents Television Council got involved and raised their usual stink as well.

Funny thing is, such criticism quickly waned in the subsequent weeks, as anyone who actually tuned in saw that it was a surprisingly sweet and moral show about being true to yourself and the ones you love – even if that means inflicting the occasional heartbreak. What was most noteworthy about the hypocrisy – which mostly arose from people who hadn’t even watched Swingtown – is that its characters were refreshingly honest with one another. If you openly swing with your partner, it’s considered amoral; if you cheat without their knowledge, well, somehow that’s okay to show on television. Well, actually it’s not, as I’m sure the PTC will tell you, but we see it so often that we’ve become all but desensitized to it. And don’t me started on the amount of senseless violence you can find on the networks any given night of the week. Oh crap, I’ve just turned into the very watchdogs I despise.

My point is this: Swingtown is a remarkably nice TV show, given that most TV isn’t about being nice anymore.

Read the rest of this DVD review by clicking here and visiting Bullz-Eye.

Night Gallery: Season Two

Director Guillermo del Toro (Pan’s Labyrinth, the Hellboy films) is a massive Night Gallery fan – so much so that he not only contributes three commentary tracks to this set, but was directly instrumental in finally getting Season Two released on DVD. Indeed, he’s such a Night Gallery enthusiast that when he begins his first of three commentaries for the set, he even bemoans the fact that he only gets to do three. Accordingly, when watching these episodes, it doesn’t take long to see the series’ influence in his work, especially in something like Pan’s Labyrinth, which may as well be a movie-length episode of Night Gallery. But more on that later....

Read the rest of this DVD review by clicking here and visiting Bullz-Eye.

Happy Birthday, Doctor!

On November 23rd, 1963, the Doctor made his first appearance on British TV screens.

Cut to 45 years later...

Sunset Boulevard: The Centennial Collection

Surely everything poignant or insightful there is to say about Billy Wilder’s acid-tongued masterpiece Sunset Boulevard has already been said. It’s benchmark cinema - a highpoint of movie history. The film has been deservedly discussed, dissected and devoured by many an intellect more insightful than mine. No amount of words can really express what makes this movie the classic that it is; one must experience it in order to get it. Yet in the spirit of trying to reach anyone who has yet to be initiated into the cult, this review will endeavor (and likely fail) to give it a go.

Movies and TV shows about the film and TV industry are a dime a dozen these days, but Wilder paved the way for all that came after by blowing open the barn doors on an industry that routinely shuns its best and brightest – sometimes after their prime, and sometimes before they begin to shine. Boulevard tells the story of two such people – forgotten silent movie star Norma Desmond (Gloria Swanson) and struggling screenwriter Joe Gillis (William Holden) - and how their lives intersect, and the rippling series of tidal waves that result from their accidental meeting. It isn’t a spoiler to say that the story is told from the point of view of a dead man, since the tale begins with Gillis’ body floating in a pool. From there, his acerbic narration works backwards to six months before so the audience can discover the events that led up to his early morning swim.

Please read the rest of this DVD review by clicking here and visiting Bullz-Eye.

Doctor Who: "The Infinite Quest"

Back when Season Three of Doctor Who was first playing on the BBC, there was a children’s series playing concurrently during the week called Totally Doctor Who. It consisted of interviews and information about the series and was designed to provide kids with a Who fix in-between the weekend installments. Each week also featured three minutes of the ongoing animated adventure, “The Infinite Quest,” for which David Tennant and Freema Agyeman provided their vocal talents. This DVD edits together all the various segments of the story into one seamless 45-minute adventure, and the results are mostly positive.

Read this entire DVD review by clicking here and visiting Bullz-Eye.

Tracey Ullman's State of the Union: Season One

Given the amount of time she’s been in the business, Tracey Ullman should have stopped being funny years ago. And yet not only has she not done so, but she doesn’t even appear to be close to hanging up a going out of business sign. Her latest project, State of the Union, which she created for Showtime, isn’t perfect, but it’s far more hit than miss. The series is essentially a platform for her to present an array of characters that make up, as Sarah Palin might say, this great nation of ours. (In fact, it’s a shame the material predates Palin’s arrival on the political scene, as I suspect Ullman would’ve whipped out a parody that surpasses Tina Fey’s.)

Read this entire DVD review by clicking here to visit Bullz-Eye.

Television Punching Bags

In nature, the weaker members of a species are often ostracized so they cannot reproduce and dilute the gene pool. Lions, for example, do not keep an omega male around to be the butt of the joke for the rest of the pride, like we humans tend to do. And while that makes sense in a Darwinian way, our way is a lot more fun. It may be cruel, but imagine how boring life would be if we lived in a world without the human equivalent of a punching bag. Admit it: you all know someone who fills this role in your life, and you relish it. You wouldn’t be human if you didn’t.

The world of television has a near-inverse proportion of punching bags as there are in nature, and this makes sense; it is much easier – and fun – for the writing staff to designate one character as the target for random acts of misfortune and malice, though not necessarily in that order. If you ever wondered why every show features at least one character that the other characters would likely never associate with in real life, now you know.

So bring us your sad, your weak, your insecure; your clueless, your obnoxious, your desperate, your slow-witted, and we will celebrate them for their inherent loserness. Get your boxing gloves on as we present to you Bullz-Eye’s all time favorite TV punching bags.

Read the list of TV Punching Bags compiled by the Bullz-Eye staff by clicking here.

Sanford and Son: The Complete Series

The ‘70s produced some of the best and most groundbreaking sitcoms ever created, and writer/producer Norman Lear was at the helm of a number of them, including All in the Family, Maude, The Jeffersons and One Day at a Time. As much fun as something like That 70s Show is, there’s really no substitute for actually watching a series created in that time period in order to have a better understanding of the social climate of the time. One of Lear’s most irreverent efforts was Sanford and Son, which, like All in the Family before it, was a remake of a British series. Also like Family, it set out to showcase the blue-collar point of view of a guy whose outlook was so outrageous in its simplicity that you had no choice but to love him. That guy was Fred Sanford, a junk dealer operating out of his home in south Los Angeles, and he was played by comedian Redd Foxx so successfully that he never really escaped the role in the years after the show went off the air.

Read the rest of this DVD review by clicking here to visit Bullz-Eye.

The Incredible Hulk: The Complete Fifth Season

When I was a kid there was one night and television lineup that surpassed all others: CBS Fridays, which was comprised of The Incredible Hulk, The Dukes of Hazzard and Dallas. It was hardly a task to plop down in front of the tube and bask in these three entirely different slices of pop culture as they bled from one into the next every week. As an adult I remain a Ewing freak, but the Duke boys have unfortunately gone by the wayside; the adventures of Dr. David Banner reside somewhere in between. It’s not anywhere near as juvenile as Hazzard, yet it doesn’t have the expansive ongoing storyline of Dallas. The real problem with The Incredible Hulk is that it’s an incredibly repetitive series. Banner wanders the country, defending the naïve, weak and helpless against the sleazy, corrupt and powerful.

Read the rest of this DVD review by clicking here and visiting Bullz-Eye.

Doctor Who: "The Trial of a Time Lord"

The mid-‘80s were a turbulent time for Doctor Who. After the 22nd season, which ended in March of ‘85, the show was cancelled. There was a considerable uproar from the public, BBC bosses were forced to rethink the move, and its status went from cancelled to 18-month hiatus. But the reprieve came with a few conditions.

The 22nd season had been viewed by some as considerably more violent and adult in tone than such family-friendly fare ought to be, and so producer John Nathan-Turner was asked to tone down the gore and emphasize wit and humor for the 23rd season (which, all things considered, wasn’t an unreasonable request). Season 22 had also, for the first time in the show’s long history, been comprised entirely of 50-minute episodes – 13 of them, in fact. Season 23 was granted a 14-episode order! Sounds positive, right? The catch was that the show would revert back to its 25-minute format, so the seasonal running time had been effectively halved (and it retained this episode/minute count until the show finally did end in 1989.) Finally, the show needed to prove itself, and this wasn’t a guarantee of further seasons. This was no longer the ‘70s, and certain higher-ups were frankly embarrassed by Doctor Who, and thought it looked cheap compared to other film and television sci-fi (again, a valid point). In an inspired move, the art imitating life notion of putting the Doctor on trial for the entire season was born.

Read the rest of the DVD review for "The Trial of a Time Lord" by clicking here and visiting Bullz-Eye.

Doctor Who: "The Brain of Morbius" & "The Invisible Enemy/K-9 & Company"

When it comes to classic Doctor Who, there can be no doubt: “The Brain of Morbius” is one of the best. It comes from the treasured and oft-praised era of the series known as “the Hinchcliffe years” (so named after producer Philip), a time when the show could seemingly do no wrong. At this point in the series, every week was a new excursion into the realms of horror and sci-fi, and perhaps no other Doctor Who tale so successfully mixes up the two genres. I’d easily place it in my Top Five were I making a list of favorite Who serials. In addition to the horror/sci-fi aspects, “Morbius” also has a wicked sense of humor which takes it right up over the top.

Solon: (looking at the Doctor) What a magnificent head!
Sarah Jane: What?
Solon: Superb head.
The Doctor: (chuckling) Well, I’m glad you like it. I have had several. I used to have an old gray model before this. Some people liked it.
Sarah Jane: I did.

Read the rest of the DVD review for "The Brain of Morbius" by clicking here and visiting Bullz-Eye.

The U.K. title of this set was “K-9 Tales,” a label that was dropped for the U.S. release - probably wisely since the tin dog isn’t nearly as well known over here. It features two K-9 stories, the first being “The Invisible Enemy,” which marked the initial appearance of the Doctor’s dog-shaped computer back in ‘77. K-9 was allegedly the Doctor Who answer to the immense popularity of Star Wars. Perhaps the goal was to fuse the goofy cuteness of R2-D2 with the pompous intelligence of C-3PO - a cross that resulted in an obnoxious little peckerhead.

Read the rest of this DVD review for"The Invisible Enemy / K-9 and Company" by clicking here and visiting Bullz-Eye.