There are two bold strokes with which Wallander, a BBC produced crime series, is painted that set it apart from most other TV fare. The first is its intoxicating, borderline hallucinatory photography, which will grab your attention in the opening frames. A girl pushes her way through a golden field of crops carrying a plastic container of liquid. A car, driven by Kurt Wallander (Kenneth Branagh), speeds down the highway toward a farm. He pulls up and the farmer points to the field. “She’s out there.” He hands Wallander a pair of binoculars. “You see her?” Wallander makes his way through the dense field of yellow. The closer he gets, the more frightened the girl becomes. When he’s but a few feet from her, she opens the container and douses herself with gasoline, sets herself on fire, and explodes in a ball of flame. Wallander’s jaw hits the ground. He cannot believe what he’s just witnessed. Later on, when one of his fellow detectives suggests moving on from the suicide, since there’s no real crime involved, Wallander himself explodes, “A 15-year-old girl sets herself on fire and you don’t think it’s a crime!?” It’s something of an uncharacteristic moment for the normally subdued man, who keeps his emotions bottled up inside. Indeed, the only time his feathers ever seem to ruffle is in matters of pursuing justice.
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