Doctor Who: The Tenth Planet & The Moonbase DVD reviews

UPDATED!!!

What, in the here and now, is potentially intriguing about the DVD releases of “The Tenth Planet” and “The Moobase” is that the amount of time between their R1 DVD release dates is nearly identical to the amount of time that lapsed in between their original airings on the BBC. “The Tenth Planet” aired throughout October of 1966 and was released on DVD in November of 2013; “The Moonbase” aired throughout February and March of ’67, and its DVD arrives on February 11^th, 2014, exactly 47 years to the day of the airing of its first episode. It’s unlikely that this was someone’s plan (the R2 release dates are slightly different), but it is a sweet bit of serendipity regardless, especially for those who picked up and viewed “The Tenth Planet” last year, and intend to buy and watch “The Moonbase” now.

Why? Because the tales are nothing if not two sides of the same coin – the latter installment being something of a remake of the former – and viewed back-to-back they sort of exemplify some of the changes Doctor Who was going through at the time. It’s cool to be able to compare and contrast the two stories, and attempt to look at them with the same sort of eyes that viewers back in ’66 and ’67 had, given that most of us are experiencing the two stories, with their animated reconstructions, closer to their original visions than ever before. Now before going further let’s lay it out on the table: neither story is a true classic (though each has its virtues), and calling them flawed is probably being generous. For a truly successful Cybertale, it would be “third time’s a charm,” with “The Tomb of the Cybermen,” later on in ’67.

“The Tenth Planet” plot: The TARDIS materializes at the South Pole in the year 1986, where the crew - The Doctor (William Hartnell), Polly (Anneke Wills) and Ben (Michael Craze) - happen upon a space tracking station called Snowcap, staffed by an international crew of characters, and led by the Ripper-esque General Cutler (every time he obsesses on his son, just think “precious bodily fluids”). Snowcap is monitoring the launch of an Earth spaceship (which is where the son is) when they discover a new planet that looks suspiciously like Earth. A craft from the planet arrives, bringing to our world, for the first time, the Cybermen (why did they head for the South Pole?), who intend to drain all of Earth’s power for their dying planet Mondas, and convert the populace into more Cybermen. In the midst of everything, the Doctor appears to be growing weaker and weaker…

“The Moonbase” plot: The TARDIS materializes on the Moon in the year 2070, where the crew – The Doctor (Patrick Troughton), Polly, Ben, and new TARDIS crewmember Jamie (Frazer Hines) – happen upon a weather control station called the Moonbase, staffed by an international crew of characters, and led by the considerably less insane Hobson (compared to Cutler, anyway). The center of the Moonbase is the Gravitron, which controls Earth’s weather. Meanwhile, some Moonbase crewmembers are afflicted with a peculiar virus, and soon enough, victims of the illness go missing. The Cybermen are back, this time with the intention of using the Gravitron to destroy all life on Earth.

As you can probably see, the story constructs are similar, even if some of the details are slightly different. Further, the Snowcap/Moonbase interiors and South Pole/Moon exteriors also add to the mounting textural resemblances, and of course, the villains are the same in name, even if not in appearance, which is probably what makes the two stories most easy to compare. The “base under siege” plot, as it is often referred to, would become a standard of the Troughton era, so it’s also worth noting that these two tales are probably the earliest examples of the formula.   

“The Tenth Planet” is rife with problems. It lurches from one episode to the next, changing tone every step of the way. The international cast of characters is riddled with stereotypes and clichés (though one must give the serial props for featuring a black astronaut played by Earl Cameron). William Hartnell is ill enough at this point that not only is his failing health written into the script, but he also disappears for the entirety of Episode Three. When I think of “The Tenth Planet,” the singular aspect that makes the story truly worthy (besides the fact that it features the first regeneration) is the Cybermen. 

These Cybermen are unlike any others that came after them, and one wonders what the villains might look like today if they hadn’t been redesigned for “The Moonbase” just a few months later. People often describe their vocal inflections as “sing song,” which I suppose is pretty apt, though I would argue that they really sort of defy description. Perhaps it is because I’m so much more familiar with every other incarnation of the Cybermen, that these are so unsettling. These cats are some of the weirdest Doctor Who villains in the history of the series. Episode Two here is very good. It gives ample screen time to both the Cybermen and the Doctor, and is probably Hartnell’s final great work on the series, as he has less to do in the fourth episode – which is also the only episode of this serial that’s missing.

“The Moonbase” improves upon some of the problems from the first serial. First and foremost, in the form of Patrick Troughton, it has an energetic, able-bodied and minded leading man, which of course makes a huge difference. There are lovely, inspired sequences set on the lunar surface, featuring both Cybermen and TARDIS crew (though the latter sequence, from Episode One, ends up animated). As this serial was devised prior to Jamie joining the crew, he is jammed into the narrative and injured in the first episode and doesn’t return to form until the final episode. Still, Jamie’s injury leads to one of the more wonderful flourishes of “The Moonbase,” and that’s his perception of a Cyberman as the “phantom piper,” coming to take Jamie off to the land of the dead. It’s neat to see the far less experienced McCrimmon at this stage of the game. “The Moonbase” is surely the better story of the two, but I would still argue that, at least from a historical standpoint, they’re stronger as a double feature than apart. Neil Gaiman might disagree, as it seemed clear that his “Nightmare in Silver” was heavily-influenced by the horror of watching “The Moonbase” as a child.

As previously mentioned, both stories remain incomplete in the BBC archives, so animation has once again come to the rescue, with “The Tenth Planet” Episode Four, and “The Moonbase” Episodes One and Three being given the treatment. After the less than stellar animation style used for “The Ice Warriors,” I was happy to see that the methods used for each of these stories were much closer to the artiness of “The Reign of Terror.”

UPDATED (02/26/2014): It’s been revealed, since I wrote this review, that the R1 version of “The Moonbase” has a pretty serious mastering error, and as a result the episodes run about a minute longer than they should. The problem has also resulted in the eradication of the VidFire process. I wish I could say I’d taken note of this when I was viewing the disc, but I did not. I did, as I recall, at one point wonder why the episodes were so long, but it was days before I was headed out to Gallifrey One, and I wanted to get this review up before I left, so I didn’t give it much thought.

This is, of course, terrible news, and there’s been no talk of a recall or replacement discs…however, the good news is that I watched the entire story and didn’t even notice. 50% of “The Moonbase” is animated, so the VidFire is irrelevant on those episodes anyway. So if you already own the old Lost in Time DVD set, which contains the VidFired episodes 2 & 4, perhaps with that, alongside the two animated episodes here, you, the fan, can sort of try to make it all work.

So take all of that for whatever it’s worth. I know that for the hardcore collector, this is not a pleasing development, and certainly something that doesn’t seem to make a whole lot of sense as we near the end of the classic series DVD range. Further, this tidbit about missing credits on the disc was revealed today. Sure seems like “The Moonbase” DVD could do with a do-over for all parties involved. If I find out anything more, I'll update this space again.

   

DVD Extras: The double-disc set of “The Tenth Planet” doesn’t skimp on the extras, so even if the story is a bit of a letdown, there’s plenty of other stuff here to keep the hardcore fan entertained. A revolving commentary track for the first three episodes is moderated by Toby Hadoke and features actors Anneke Wills, Christopher Matthews (Radar Technician), Gregg Palmer (Cybermen), Earl Cameron (Williams), Alan White (Schultz), and production designer Peter Kindred. “Frozen Out” is a half-hour making of – fascinating warts and all, including some talk of Hartnell’s alleged racism. In addition to the animated Episode Four, there’s also the reconstructed version from the VHS tape. Far and away the most exciting and memorable extra here in also the shortest – and that’s the three-minute interview with Hartnell, conducted after he’d left Who, in the dressing room of a theatre, while he applies makeup in the mirror. He’s irritable, yes, but what is surprising about it, I think, is how alert Hartnell is. The signs of his failing health are nowhere to be seen, and it’s easy to simply savor every single second of it, since it’s the only on-camera interview with Hartnell I guess we’ll ever see.

But wait! There’s more. Another installment of “Doctor Who Stories,” this time with Anneke Wills, is always a welcome addition. “The Golden Age” seeks to examine the “myth” of the golden age of Doctor Who. “Boys! Boys! Boys!” is an answer to the previous multi-part featurette “Girls! Girls! Girls!,” which featured on a trio of previous DVDs. This one features Peter Purves, Frazer Hines, and Mark Strickson.  “Companion Piece” lives up to its title by examining the role of the companion. There’s a 9-minute clip from Blue Peter, which was celebrating the Tenth anniversary of Who at the time of its broadcast. It is in this clip that the only surviving footage of Episode Four exists – the regeneration scene. Finally there’s a photo gallery, Radio Times listings in PDF form, the production notes subtitle option, and a coming soon trailer for “The Moonbase.”

Speaking of, “The Moonbase,” on only a single disc, is much lighter in the extras department. There’s audio commentary for the extant episodes (2 & 4) again moderated by Hadoke, and again with Anneke Wills, as well as Frazer Hines, actor Edward Phillips, and special sounds creator Brian Hodgson. The animated episodes (1 & 3) feature interviews with writer Kit Pedler’s daughters, as well as archive interviews with producer Innes Lloyd, assistant floor manager Lovett Bickford, and a trio of Cyber-actors. “Lunar Landing” is a serviceable making of doc, and the disc is rounded out with the usual photo gallery, Radio Times listings, production note subtitle option, and a coming soon trailer for “The Underwater Menace,” which may not be coming all that soon after all (but I would hope before the end of the year). 

Doctor Who: The Ice Warriors DVD review

Much like the titular villains of the piece, “The Ice Warriors” serial (or rather what remains of it) has finally been thawed out and unleashed on the public – along with some “suspended” animation to help fill in the missing parts. The first and only other time “The Ice Warriors” was released commercially was back in 1999. That was on VHS, and included two versions of the missing episodes 2 and 3: A linking narrative montage made up of telesnaps and bits of dialogue that ran for about 15 minutes, and a CD featuring the complete audio for both of the episodes. No need for either anymore since, as with “The Invasion” and “The Reign of Terror” before it, the DVD release of “The Ice Warriors” offers up the most complete visualization of the serial since - any repeats aside - its initial broadcast back in the winter of 1967.

In the distant future, Earth battles a second Ice Age brought on by man’s foolishness. Due to a shift away from organic foods and the presumably out of control population having moved onto the planet’s farmlands, plant life has become all but extinct, resulting in a loss of carbon dioxide, which led to the glacier threat. Control stations are set up across the planet to combat the moving glaciers with ionizer devices; the story takes place in and around the Brittanicus Base (naturally). Meanwhile, in the midst of trying to save the world, the scientists discover what looks to be a Viking warrior encased in a block of ice. They take it back to the base to thaw out, only to reveal a cunning warlord from Mars, who soon enough releases more of his frozen comrades. The Martians want to conquer and enslave the planet, while the scientists want the Martian tech to aid in the cessation of the Ice Age. Into all of this the TARDIS materializes –on its side! – and the Doctor (Patrick Troughton) and his companions Jamie (Frazer Hines) and Victoria (Deborah Watling) climb out of it, and into a wintry, frozen world of one danger after another.

As I’ve said numerous times in various ways, a Patrick Troughton-era classic Doctor Who DVD release is always something to be excited about, and “The Ice Warriors” is no different in that regard, especially as it features the debut of one of the more recognizable villains from the classic series. The introduction of the Ice Warriors to modern audiences in the sublime “Cold War” earlier this year makes this DVD all the sweeter.

The story itself – spread across six episodes – has quite the sense of adventure about it, and the production does a nice job of presenting a seemingly immense scale to the whole thing, aided in no small part by some filming at Ealing Film Studios (and the occasional bit of cleverly placed stock footage), in which fairly impressive icy exterior environments were created. Costuming is also another big plus, depending on your tolerance for 60s-era psychedelic fashions. It seems unlikely that the people of the future will dress like this, but to view it within the context of this old British sci-fi serial, it’s simply and wonderfully groovy. And the score! Oh, the lovely, haunting score from the mighty Dudley Simpson, including a wailing banshee of a voice that opens the first episode, adds appropriate aural texture from start to finish. The cautionary stance the tale takes is sort of perfect, and although it’s likely technically bonkers from a scientific standpoint, enough thought was put into it that it at least feels like a potential reality - no doubt, in my mind anyway, supported by the climate change arguments we debate today.

Peter Sallis as Penley

But it’s the cast of guest characters and the actors who play them that help to make “The Ice Warriors.” Particularly engaging is the game of push me pull you that goes on between Base Leader Clent (Peter Barkworth) and the scientist Penley (Peter Sallis, who would someday voice the human half of Wallace & Gromit in addition to starring in the world’s longest running sitcom, Last of the Summer Wine). Clent thinks like a machine and relies on the computer. Penley believes in the power of the human mind and its intuitive nature. (Guess which one Doctor Who favors?) Both actors turn in scene-stealing performances, and are the stars of the serial alongside Troughton, whose Doctor attempts to broker a meeting of their minds. Credit also has to be doled out to hulking actor Bernard Bresslaw (at the time best known for the Carry On films) as the Ice Warrior leader Varga. His work is impressive and it seems he played a big part in laying the groundwork for all the Ice Warriors that came after. 

“The Ice Warriors,” by Brian Hayles, is a surprisingly dense story with complex characterizations and situations - for the “base under siege by monsters” era of the series, anyway. I sat through it a second time after deciding I hadn’t quite cracked it the first. Indeed, after that first viewing, I also felt as though there wasn’t enough story for six episodes, but after the second, the entire affair seemed much tighter, yet merely sprawling in its narrative. I still feel as though there are nooks and crannies of the tale I’ve yet to discover.

If you’ve seen and were underwhelmed by its inferior sequel “The Seeds of Death” - which has been available on DVD since 2004, and even managed to snag a special edition double-dip last year - do not write off “The Ice Warriors.” (Of course, if you dig “Seeds,” then this is a must-see.) This is likely the shiniest classic series outing for the Ice Warriors, as post-“Seeds” they were relegated to being part of the ensemble casts of the “Peladon” stories of the Jon Pertwee era, and of course after that they were absent from the TV series altogether until the aforementioned “Cold War.”

DVD Extras: Yet another new style of animation is on display this time around. It’s much “cleaner” and less artsy than what was done with “Reign.” There’s no question that there’s some cutting of corners going on here and there, bits of which take time to adjust to, but I eventually grew to find it all fairly seamless.  Though this style works for one or two episodes, I don’t think I would want to view an entire missing serial this way.

Beyond the near miraculous ability to view an entire serial previously only available in part, the rest of the extras are all a very average “nuts and bolts of the classic series DVD range” affair. The commentary tracks are all hosted (because I’m bored with using “moderated”) by Toby Hadoke. Episodes one, four, five, and six feature Frazer Hines, Deborah Watling, Sonny Caldinez (Turoc, the Ice Warrior), designer Jeremy Davies, and grams operator Pat Heigham. The animated episodes also have commentaries, but they go for a slightly different approach this time around. Episode two features bits of audio interviews (and in a couple instances, actor recreations) of over a half a dozen other folks who worked on the serial, including Bresslaw, Barkworth, and Hayles. (Peter Sallis is nowhere to be found in the extras!) And finally, the animated episode three features a conversation between Hadoke and Michael Troughton, son of Patrick, who recently wrote a book on his father. At the close of the episode, Hadoke promises more of the conversation on “a future Patrick Troughton DVD release” – which presumably will be “The Moonbase” or “The Underwater Menace,” or maybe even both.

“Cold Fusion” is an adequate, 24-minute making of doc. Though “Beneath the Ice,” a look at the animation process for this serial, is no great revelation, I’ll give it kudos on principle, because in the past I complained that there aren’t enough behind the scenes featurettes on the production of various aspects of the DVDs themselves. At the top of this review I mentioned the montage of telesnaps and dialogue that was used to fill in for the missing episodes on the VHS incarnation – that is also presented here for posterity, along with an introduction by Frazer and Debbie (so if you’re still hanging on to that tape, you can finally part with it.) There’s also archive footage of a Blue Peter Design-A-Monster contest, as well as Part Two of “Doctor Who Stories – Frazer Hines” (the first part can be found on “The Krotons” DVD). An original trailer for “The Ice Warriors” has been given the animation treatment, and there’s a photo gallery, the production notes subtitle option (present only on the extant episodes), Radio Times listings in PDF form, and a coming soon trailer for “Scream of the Shalka.”

Doctor Who: The Reign of Terror DVD review - Updated!

Go buy a copy of “The Reign of Terror.” It could very well have a direct effect on certain future titles in the classic Doctor Who DVD range**. Steve Manfred has issued a call to arms of sorts on his typically reliable Doctor Who DVD page (for anyone who collects these discs, his page is the first you should have bookmarked). He says that “The Reign of Terror” must sell well in order to affect the future presentations of five upcoming Hartnell and Troughton DVDs: “The Crusade,” “The Tenth Planet” (the final story of the First Doctor, featuring the first regeneration; also the first Cybermen story), “The Underwater Menace,” “The Moonbase,” and “The Ice Warriors.”

The latter, which is missing two episodes, was recently announced for release later this year, but what form those missing episodes might take appears to be up in the air. They could be presented in a compacted form, made up of still reconstructions that appeared on the VHS years ago. Or, those episodes could be animated, and after you see this disc (or “The Invasion,” which achieved completion via the same process), you’ll see that, for the time being, animation is probably the best presentation for missing episodes. Ideally, every single missing episode should eventually be animated (well, ideally every single missing episode would be found, but I’m trying to operate on a plane of reality here). For now though, the aforementioned stories are the obvious candidates on which to concentrate efforts, since each is missing only one or two episodes. So “The Reign of Terror” must sell well, and the only way that’s gonna happen is if fans go out and buy it. Hard cash, vote with dollars. This is important. (Read Manfred’s words by clicking here.)

For me personally, “The Reign of Terror” is a tricky tale to critique at this juncture, for it is a six-part serial that, prior to this DVD, I had never seen! Now you must understand, this is practically an anomaly as I have seen nearly all of this stuff, repeatedly. As only four of the six “Reign” episodes exist, it was in limbo for the general public up until 2003, when it was released in a massive VHS box set with something like nine other titles. I never bought that set, because the DVDs had already been coming out for a couple years, and I didn’t want to go backwards technology-wise. Fast forward ten years and BBC/Big Finish folks with money and vision have animated Episodes Four and Five, and here I am, viewing an entire Season One Doctor Who story for the first time.

I can’t be objective about “The Reign of Terror” at this time, as it’s too unique a viewing experience. If you’re familiar with historical stories from the Hartnell years, such as “The Aztecs” (also from the first season), you can sort of guess what you’re in for, only this time the adventure takes place during the French Revolution (which as an American I know precious little about). William Hartnell is very good here, as is Jacqueline Hill; William Russell and Carole Ann Ford, not so much – or rather they just aren’t given as much to do. The supporting cast is pretty fine as well, and there’s a nice revelation concerning one of them late in the story. The design and costumes are aptly elaborate, and there's some excellent location footage of the Doctor (you'll find out more about this on the DVD).

The black and white video quality is a tad rougher than usual for the first couple episodes. Episodes Three and Six, however, look pretty close to the usual VidFIRE standard. That leaves Four and Five to be animated. Animating old Doctor Who episodes is admittedly a bizarre thing to do. If it weren’t the only practical solution to the problem, nobody would ever think to do it for material like this, which amounts to a filmed stage play. It’s sort of the opposite of one of the chief functions of animation, which is to present visuals that cannot be achieved any other way. This isn’t “exciting” animation much of the time (the audio doesn't even allow it to be), though the artists here do take minor liberties, especially in regards to certain closeup shots that surely were not in the original serial. But by and large it gets done the job of presenting this material in such a way that it more or less flows with the extant episodes, which is presumably what most people want from this process.

Bottom Line: You must invest a few dollars into this disc. I am the Master and you will obey me. You will buy “The Reign of Terror”…You will buy “The Reign of Terror”… You will buy “The Reign of Terror”…

DVD Extras: All six episodes – regardless of the participants – are moderated by Toby Hadoke. We love Toby. The existing episodes feature Carole Anne Ford, along with guest stars Neville Smith, Jeffry Wickham, Caroline Hunt, Patrick Marley, and production assistant Timothy Combe. Animated Episode Four features actor Ronald Pickup (The Best Exotic Marigold Hotel; Who was his first TV gig) and Episode Five offers a fascinating discussion with missing episode hunters Philip Morris and Paul Vanezis. “Don’t Lose Your Head” is a 25-minute making of with Russell, Ford, and Combe. There are also a couple throwaway bits of animation, but no talk of the process itself (for shame!). There’s also a gorgeous photo gallery loaded with nice color behind the scenes shots, Radio Times listings in PDF form, production notes subtitles option on the four existing eps, and a trailer for the special edition of “The Ark in Space” which will be available next month.

**Updated! March 5th - Having spent nearly three hours in the company of the classic Doctor Who DVD range commissioning editor Dan Hall at Gallifrey One a few weeks ago, this post begged for an addendum. According to Dan, the specific sales of “Reign” will not and have not had any direct effect on the potential release of future animated DVDs. This was of course backed up by the announcement of “The Tenth Planet” with an animated Episode Four less than a week after “Reign” was released. And since then, there’s also been confirmation of the upcoming “The Ice Warriors” with animated Episodes Two and Three. Both of these productions were well under way at the time of “Reign’s” release. So, Rued apologies to anyone who went out and picked up that disc at my rather frantic urging, but I imagine the worst that’s happened is that you now own a Doctor Who DVD that you previously did not.

Dan Hall at Gallifrey One 2013

On a different note, a few words about Dan Hall…this man loves classic Doctor Who as much or even more than the most fervent of us. A big reason these DVDs kick so much ass? Dan. After having been led to believe over the years that he was some sort of number-crunching suit, it was refreshing to discover that nothing could be further from the truth. As I said, he spent three hours with about a half a dozen Doctor Who DVD freaks talking over one another, patiently listening to an endless barrage of praise and complaints, never once getting ruffled. The man was a pure joy to hang with, and he’s got plenty of surprises for us in the coming year…and maybe even after.

Also check out my previous article on "The Invasion" - the only other classic Who story to get the animated treatment thus far.

ReBoot: Seasons One & Two

It behooves those of us who write about pop culture to occasionally come clean, and admit that a TV show or a movie has flummoxed us. ReBoot, for me, is one such concept. That I was felled by a Saturday morning cartoon isn’t something that sets easy with me, but I feel as though I have to state it upfront, as it’s the only way I can be sure that this review will make sense. Otherwise, long-time fans of this cult series will no doubt read these words and have good long belly laughs at the newbie, and his failure to grasp what to them probably seems simple and obvious.

ReBoot takes places in a computer world called Mainframe. Its inhabitants refer to the unseen User as a sort of god, I suppose. Guardian Bob (Michael Benyaer) is the central character, and together with his friends Dot Matrix (Kathleen Barr) and her little brother Enzo (Jesse Moss, and later, Matthew Sinclair), the trio do battle primarily against two viruses named Megabyte (Tony Jay) and Hexadecimal (Shirley Millner). Megabyte and Hexadecimal are themselves frequently caught up in battles of their own. There are a seemingly infinite number of other little critters of all shapes and sizes running around Mainframe; some are good and some are bad.

Read the rest of this DVD review by clicking here and visiting Bullz-Eye.

Doctor Who: Dreamland

Hang on a sec! Isn’t there a new bloke playing the Doctor? Yes, there is. Didn’t David Tennant’s era end at New Year’s? Yes, it did. Then wha--? This is old material that predates his finale. Further, it isn’t even the last David Tennant Doctor stuff that’s going to be hitting DVD. No, the final material Tennant recorded as the Doctor will hit shelves in January when the third season of The Sarah Jane Adventures is released here in the States (although chronologically that adventure takes places between “Planet of the Dead” and “The Waters of Mars”). Where does this one, “Dreamland,” take place? Beats me, and since it’s animated it may not even count as canon, but that doesn’t mean it isn’t an immense amount of fun regardless.

It’s only slightly odd that in 30-plus years of time travel and dealing with aliens that Doctor Who has never presented its spin on Area 51, but with “Dreamland,” that oversight has been rectified. I say slightly odd because the Doctor doesn’t make it over to the States all that often, and certainly not Nevada when he does. That’s the great thing about doing Doctor Who animated – the stuff that restricts the live-action series isn’t part of the animation equation.

Read the rest of this DVD review by clicking here and visiting Bullz-Eye.

Doctor Who: "The Infinite Quest"

Back when Season Three of Doctor Who was first playing on the BBC, there was a children’s series playing concurrently during the week called Totally Doctor Who. It consisted of interviews and information about the series and was designed to provide kids with a Who fix in-between the weekend installments. Each week also featured three minutes of the ongoing animated adventure, “The Infinite Quest,” for which David Tennant and Freema Agyeman provided their vocal talents. This DVD edits together all the various segments of the story into one seamless 45-minute adventure, and the results are mostly positive.

Read this entire DVD review by clicking here and visiting Bullz-Eye.

Charlie Goes to Candy Mountain

I guess this little piece of animated bliss has been around for some time, yet it falls squarely under the heading "Hey it was new to me!" (Thanks to Jake for exposing me to it.)

Doctor Who: Animating The Invasion

George Lucas continually tinkers around with his Star Wars movies. Paramount recently began revamping the effects work for each episode of classic Star Trek. Now it’s Doctor Who’s turn to present its take on reimagining the past.

Two weeks ago saw the milestone R1 DVD release of the 1968 story "The Invasion". The 8-part serial has been missing the visuals for a fourth of its episodes – Parts One & Four – since the BBC scrapped huge chunks of the Doctor’s ‘60s adventures years ago. Why you may ask? Nobody foresaw the eventual resale value of the series, and back in the day Auntie Beeb wasn’t all that keen on reruns. Thankfully, obsessive Whovians date back to the beginning, when pockets of industrious fans presciently recorded the show’s audio every Saturday afternoon.

Enter animation house Cosgrove Hall, cleaned-up fan-recorded audio tapes, and a current demand for Doctor Who surpassing any other period in the Time Lord’s long history: "The Invasion" is complete once again – six episodes of crisp, restored black & white goodness interspersed with two animated episodes that are as close to what’s missing as anyone can currently hope to see.

"The Invasion" was an ideal selection for the experiment.

For starters, it features the Cybermen, and since the Senators of Steel have enjoyed a resurgence, they’re an obvious draw for people looking to feed their Who addiction. Furthering that logic, "The Invasion" was a huge inspiration for the recent "Rise of the Cybermen/The Age of Steel" two-parter, which restored the Mondasian Marchers to their former glory.

Also, it’s a pretty damn good yarn -- which is no faint praise for a tale clocking in at nearly 3 ½ hours. Yet any ‘60s TV sci-fi of that duration must have problematic areas, right? The events encompassing the first four episodes could easily fit into half the running time. As a result, animating Episodes One and Four elevates material that might be considered a tad sluggish into something new and exciting -- and the kicker is that they’re animated in black & white! By the time a Cyberman bursts from its cocoon for Part Four’s cliffhanger, the proceedings kick into a higher gear and the final four parts move with a pretty intense momentum (well, by late-‘60s Who standards anyway).

Lastly, any excuse to serve eight episodes of Patrick Troughton on silver platters is more than OK by me. Back when the BBC took to scrapping ‘60s Who, Troughton’s era was hit the hardest: Only a single story ("The Tomb of the Cybermen") from his first two seasons exists in its entirety. His third and final season, however, exists as nearly complete[1], and this DVD brings the season that much closer to its original dramatic vision.

The story in brief: The Doctor and Co. arrive in present-day London (i.e. the late ‘60s/early ‘70s), realize a corporation called International Electromatics is up to no good (similar to Cybus Industries from the recent two-parter), and before long Cybermen are popping up all over the place. The most notable difference from the David Tennant outing (aside from the lack of an alternate universe setting) is IE’s head honcho, Tobias Vaughn (superbly played by Kevin Stoney): Unlike John Lumic, he isn’t creating Cybermen, but rather working with them to take over Earth. When the plan sours, Vaughn dedicates his final actions toward revenge against the “uninteresting metal men” [2]. The story also set up the Jon Pertwee-era template by reintroducing Brigadier Lethbridge-Stewart (Nicholas Courtney), unveiling UNIT and testing the waters for a series set in a contemporary Earthbound setting – it could be argued that it’s a major ancestor of the current series. "The Invasion" paved the way for ‘70s Doctor Who and as such is something of a benchmark.

Due to the massive success of this DVD (it sold bucketloads in the UK), many a fan is calling for more -- and with good reason: If this was the test run, then the sky’s the limit. There’s no reason the other 106 missing episodes couldn’t, over time, be animated in the same manner. Indeed, many feel "The Invasion’s" animated segments engage more than the original taped episodes! One can only assume the Cosgrove Hall team (as well as Mark Ayres’ exceptional audio restorations) will only get better as they move forward[3].

I’d like to see a few more trial runs via completing stories that exist in "Invasion"-like limbos before aiming for completely lost epics such as "The Power of the Daleks" or "Marco Polo". The next logical choice would be "The Tenth Planet" -- William Hartnell’s final story. The four-parter introduced the Cybermen to the series and lacks only one episode: Part Four -- in which the Doctor regenerated for the very first time; the Cosgrove Hall animators would have a field day with that sequence.

The problem with a lot of ‘60s Who is that it’s often very slow. I challenge anyone to watch all six episodes of "The Seeds of Death" without at some point screaming at their TV, “Get the fuck on with it already!!” There are even parts of "The Invasion" that could benefit from some simple audio editing. As wonderful as "The Invasion" results are, what would viewing an entire animated adventure feel like? A unique situation has arisen.

Let’s take, for instance, Troughton’s "Fury from the Deep" – six episodes, all lost and considered a missing classic. I once tried to listen to an audiotape release and admittedly didn’t get all the way through it (but the novelization rocked!). Would animating a nearly 2 ½ hour serial be the thrill ride it sounds? 2 ½ hours with pacing dictated by low-budget ‘60s TV constraints?? This is borderline heresy, but what if the audio was edited into a tighter form retaining the meat of the material and was then animated? What if "Fury from the Deep" was better with a 1 hour and 45 minute running time? One of many ongoing jokes about old Doctor Who involves the endless running around corridors. Episodes had to be 25 minutes, and sometimes padding was required to make the half hour each week. Why animate corridor scenes with banal dialogue? Why not cut [to] the chase? Because then you’re mucking about with a legacy, and there’ll inevitably be an uproar when somebody (or likely many bodies) shouts that history is being rewritten. But isn’t animating this stuff in the first place already a rewrite of sorts? How about the cost of animating minute upon minute of boring filler material? What about the probability that it may actually be more cost effective to produce a better and more engaging story with a shorter running time?

Animating the missing "Invasion" parts in black & white and in full was a smart first move – they match the other six episodes, offer up the nearest to what's been lost and please all but the most anal fan. But when it comes time to animate a full story, why not go for color? (It’s hardly comparable to Turnerizing It’s a Wonderful Life.) Is that too messing with history?

Another classic in need of an overhaul is Hartnell’s "The Celestial Toymaker" (Michael "Alfred" Gough guests as the titular baddie), a four-parter missing its first three installments. Here’s a story that not only begs to be animated in color, but should probably even have its final episode animated as well (present the original Part Four as an “extra”). Why view three episodes of slick cartoons only to end on a clunky black and white finale? Where does reverence for original material end and presenting the most engaging DVD begin?

This animating of missing Doctor Who has opened up a slew of possibilities that all need to be explored before just going for the obvious slavish devotion to history. And with eyes focused on the future, what exactly is history? Aren’t all the missing episodes currently (in the slang usage of the term) “history”?

[1] Aside from the two missing parts of "The Invasion", Troughton’s final season lacks only five episodes of the six-parter "The Space Pirates". Based on the narrative quality of Part Two (recently released in the "Lost in Time" DVD collection), we aren’t missing out on much.

[2] Credit due to Sheik Yerbootie for the phrase “uninteresting metal men”. I’ve been unable to shake the description since he first coined it.

[3] Credit must also be given to The Restoration Team (of which Mark Ayres is a member). Without all the fine work these guys have done restoring Doctor Who episodes from all eras to their former glory, it’s doubtful this animated revolution would even be happening. Further details on the DVD release of "The Invasion" can be found on their site.

Junkie Elephant

Animated film is rarely my bag. Many swear by fare such as The Incredibles and Shrek and while I get a certain amount of instant gratification from these films, rarely will I give them a second viewing and certainly owning the DVDs is out of the question. Probably my major gripe is that animation on this level is thought of as something that must primarily appeal to chlidren, in order to justify the amount of money it takes to create this type of stuff.

Of course, the main reason these films are successful is because they work on "two" levels. Don't get me wrong - just a few years ago I was going to the movies with Jake to see Finding Nemo - I understand the value of true "family" fare that manages to work for everyone. Jake is now 13 and his interest in this sort of stuff is waning.

Now that I'm free from the shackles of Di$ney & DreamWork$, I want animated fare that works on one level - and that is for adults only.

Enter Free Jimmy, a CGI-animated film from Norway, which ain't for the kiddies (click here and hammer around the film's website). Its tagline is "Four stoners, three gangsters, five vegans, and a million reasons to free one junkie elephant." I am vaguely reminded of Peter Jackson's Muppet movie Meet the Feebles, which amused me so in the youth of my twenties.

From the site:

FREE JIMMY is a burlesque, satiric comedy involving greedy slackers, murderous gangsters, fanatic activists and a junkie circus elephant on the run. It is sex’n’drugs’n’rock’n’roll with aesthetic comic book violence smeared out in slow motion, splattered with blood, vomit and intestines.

Variety just posted a review of Free Jimmy (it premiered at Cannes last week). While it isn't a glowing piece of criticism, it really only served to pique my interest. Assuming we someday get this movie Stateside, this is true opening [mid]night fare.

Ralph Bakshi has been absent for far too long. In order to suffer through another animated incarnation of Mike Myers, I'll have to stick a needle in my arm. I am a junkie elephant in need of a fix. Free Jimmy and bring him to the U.S.!